Mastering Console
The one-stop solution for mastering Dolby Atmos and stereo mixes together. Gapless, crossfades, use OBAM plug-ins for Dolby Atmos and VST3 plug-ins for stereo and so much more.

Dolby Atmos Composer - the best Dolby Atmos mixing toolset

Dolby Atmos Composer
The professional Dolby Atmos tools for your creative workflow on any DAW.

Multi-channel mix bus / mastering compressor full GUI

gravitas MDS
The most flexible highend mastering compressor on the planet. For single tracks, groups, buses and entire mixes. All formats, from mono to 128 channels and even Dolby Atmos.

immersive 3D reverb Spacelab Interstellar

Spacelab Interstellar
The ultimate spatial panning and high-end reverb solution for any format, from stereo to 3D, on your preferred DAW. Fully compatible with your Dolby Atmos or MPEG-H workflow.

immersive reverb Spacelab Ignition

Spacelab Ignition
Get to the next level of reverb and spatialization for your mixes, from stereo to full 3D, on your preferred DAW. Mix for the new 3D formats anywhere you are.

Dolby Atmos Composer Essential
Greatly simplified workflow for Dolby Atmos productions on any DAW with the essential features, ideal for music productions.

The Fiedler Audio workflow is what really sets it apart from others. You can keep your entire creative track creation open and available from the demo, to final, to stereo and Atmos mix. All while staying in your original creative DAW. Changing panning, levels, or effects never need to be compromised by getting locked into pre-mixes.

Jay Rifkin

(Hans Zimmer, Whitney Houston, Disney (Lion King), Iggy Pop, Jennifer Rush, Tangerine Dream, Duran Duran, Laura Branigan, Emerson, Lake and Palmer, Placido Domingo)

Dolby Atmos offers the canvas for today's cutting-edge creativity, but too many creatives have trouble combining the ways of Atmos with their personal workflow. The Dolby Atmos Composer takes care of that. It allows me to create music for Atmos in a way I want in any music program I want, even in programs that currently only offer stereo. From plug-and-play to next-level deep sea exploration of Atmos’ possibilities. I’m in.   
Website: https://buffwerk.com

Hans-Martin Buff

(Prince, Scorpions, Peter Gabriel)

The creative workflow is just amazing. With Dolby Atmos Composer, the 3D reverb Spacelab, and finally the Mastering Console with gravitas MDS dynamics you get breathtaking results fast. I love the fact that you can easily expand your existing stereo mixes to Atmos or even mix in Stereo and Atmos at the same time.
Website: https://www.kungfustudios.berlin

Marek Pompetzki

(Miley Cyrus, Shaggy, Sido, Sarah Connor)

Dolby Atmos Composer allows me to work cross-platform very easily and enables instant mixing in immersive audio. The integration into existing workflows is terrific and takes sound creation to a new level.

Website: https://www.msm-studios.com

David Merkl

(Yello, London Symphony Orchestra, Herbert Grönemeyer, Die Fantastischen Vier)

What makes Spacelab outstanding is that it is so easy to use on the one hand and can be so complex on the other. The innovative workflow allows creative possibilities and combinations that I don't know from any other tool. Due to Spacelab, I gained new inspiration about mixing in 3d space and had a blast during the whole process.

Website: https://www.vrtonung.de/en

Martin Rieger

vrtonung

With Dolby Atmos Composer, Fiedler Audio have produced the first non-Dolby solution to rendering Atmos music mixes. But Dolby Atmos Composer also brings Atmos mixing to almost any DAW, and it offers routing options that make Dolby’s own renderer seem somewhat Byzantine. It’s Atmos mixing for the masses.


Sound on Sound - September 2023

Phil Ward

Sound on Sound

Verdict

The gravitas MDS module and the Spacelab plugin work together in Dolby Atmos Composer to deliver what I think is one of the best Dolby Atmos workflow management systems out there. Not only does this ecosystem ensure the best possible quality with all spatial information included in the mix, but it also enables you to use DAWs that have none or partial support for the Dolby Atmos workflow.



Visual Producer Magazine - May 2024 & Red Shark News - June 2024

Erik Vlietlinck

Visual Producer Magazine

The main point is that you can use Dolby Atmos Composer and its partner Beam in any DAW, even those limited to two channels. The results are impressive, even through headphones (although, of course, even better if you have access to a full surround speaker array!).

Music Radar - April 2023

Andy Jones

Music Radar